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appear in a Hollywood film for decades. We learn about how these people expressed themselves and conquered and we can't even express ourselves in the hallways." 60 Troy Shuman, a senior in Harford County, MD, said the introduction of a mandatory uniform policy to his school would be "teaching conformity and squelching. "Diegetic" elements are experienced by the characters in the film and (vicariously) by the spectator; "nondiegetic" elements are apprehended by the spectator alone. Ohio by instituting a censorship board in 1921. When all students are dressed alike, competition Pro 4 Wearing uniforms enhances school pride, unity, and community spirit. Images must be cut, dialogue overdubbed or deleted, and explicit messages and subtle implications excised from what the argot of film criticism calls the " diegesis ". Pre- Code films began to draw the ire of various religious groups, some Protestant but mostly a contingent of Roman Catholic crusaders. No mere list of Thou-Shalt-Nots, but a homily that sought to yoke Catholic doctrine to Hollywood formula. Censors like Martin Quigley and Joseph Breen understood that: a private industry code, strictly enforced, is more effective than government censorship as a means of imposing religious dogma. Under Hays' leadership, the mppda, later known as the, motion Picture Association of America (mpaa adopted the Production, code in 1930, and began rigidly enforcing it in mid-1934. 236 In Freaks, director Tod Browning of Dracula fame helms a picture that depicts a traveling circus populated by a group of deformed carnival freaks.

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At a time when schools are encouraging an appreciation of diversity, enforcing standardized dress sends Con 3 School uniforms do not stop bullying and may increase violent attacks. Just think of prisons and gangs. 171 In The Divorcee (1930 starring Norma Shearer, a wife discovers that her husband (played by Chester Morris has been cheating on her. The length of pre- Code films was usually comparatively short, 64 but that running time often required tighter material and did not affect the impact of message films. As a result, only two social problem films released by independent film companies addressed the mania in Germany during the pre- Code era ( Are We Civilized? A b 123 formbuilder code promo Butters. 15 Moviemakers were looking at the possibility that many states and cities would adopt their own codes of censorship, requiring a multiplicity of versions of movies made for national distribution. A b c Yunte,. 349 The major studios still owned most of the successful theaters in the country, 3 and studio heads such as Harry Cohn of Columbia Pictures had already agreed to stop making indecent films.